
How Were Medieval Shield Planks Joined?
A chronological study of surviving shields, from the 11th-century laminated core at Lenzen to the late-medieval Oña shields, testing what square edges, bevelled edges, dowels, tenons and cross-lamination actually prove.
A medieval wooden shield was an assembly. Its strength depended on the timber, the connections between its wooden elements, the coverings bonded over them, and the fittings through which it was carried. Asking how its planks were joined therefore opens a larger question: how did those different parts work together?
The surviving evidence gives several answers, documented with different degrees of certainty. The Szczecin shields have square mating edges without the mechanical interlocks identified in some other woodworking. Seedorf preserves a different approach: glued boards whose mating surfaces were deliberately prepared to increase the gluing area. Two 14th-century shields are described with wooden fittings as well as glue: Kohlmorgen reports dowelled glue edges on the older Schenk von Schweinsberg shield, and around 1900 Bernhard Engel described the glued boards of the shield associated with Karl von Trier as joined by crosswise wooden tenons. Lenzen and the Bartolomei shield at Sion introduce another construction altogether: wooden layers bonded across one another.
These are different solutions. They do not establish a single medieval joint, a universal glue recipe, or a straightforward progression from simple planks to sophisticated laminates.
This article compares the surviving shields I have researched, from the second half of the 11th century to the 15th, with the two Oña shields possibly later still. Some objects preserve strong construction evidence; others contribute chiefly by showing where the evidence stops. All belong in the comparison, but they cannot all carry the same historical argument.
Reading the Evidence: A Seam Is Not a Glue Recipe
Five kinds of statement are kept apart throughout this account.
There is also a basic structural distinction. Boards placed beside one another form an edge-joined core. Wooden layers bonded face-to-face form a laminated core; when their grain directions cross, the construction is cross-laminated. Parchment, leather or textile over wood belongs to the shield's composite structure, but does not turn a single wooden layer into cross-laminated timber.
Finally, glue at a plank seam, glue beneath a facing, a binder in a painted ground, and a later conservation adhesive have different functions. Identifying one does not identify the others.

Before the Medieval Shields: What Dura-Europos Can and Cannot Prove
Dura-Europos is therefore a technological comparison from many centuries earlier, not the missing chemical analysis of Seedorf or Szczecin.
The 11th Century: Lenzen and an Early Laminated Core
The fragmentary shield from Lenzen is the earliest medieval construction in this comparison. Its archaeological context is assigned to the second half of the 11th century: contextual dating, not a scientific date obtained directly from the shield wood.
This matters because lamination already appears at the beginning of the medieval sequence. The 14th-century Bartolomei shield cannot therefore be presented as the point at which medieval makers first discovered crossed wooden layers.
The Late 12th Century: Two Szczecin Shields, Square Edges and an Unresolved Bond
The two Szczecin shields are especially valuable because they preserve thin alder boards and join-related observations. They are separate objects: the painted shield, catalogued as MNS/A/22250/1 and dated by the museum to 1176–1200, and the much more fragmentary shield conventionally called "unpainted," dated more broadly to the late 12th century. Their measurements, coverings and fittings must not be merged.
Together, the Szczecin objects establish that square-edged boards were a real medieval shield-making option. They do not establish that glue was unnecessary, identify a particular glue, or justify universal claims about the absence of mechanical joinery.
Around 1200: Seedorf
The most useful statement is consequently straightforward: Seedorf's makers deliberately prepared the mating surfaces to increase the gluing area. Seedorf proves an important construction choice, not a universal medieval joint or glue formula.
Older literature also places the Oña shield D 59 at the Real Armería around 1190–1200. That date belongs to its shape, not to the surviving object, which the Real Armería's own technical study dates much later; it is discussed at the end of this article.
The 13th Century: Plank Assemblies Within Layered Shields

The broader Marburg group prevents Konrad from carrying the whole 13th-century argument. For the Vögte von Keseberg shield, conventionally dated around 1250, Kohlmorgen describes six linden boards about 12 mm thick, with one parchment sheet on each face. For W. von Liederbach, conventionally placed in 1250–1300, the description gives six visible linden boards around 8 mm thick. The Counts of Arnsberg shield, assigned the same broad period, has five visible linden boards around 10 mm thick. Current institutional dating for Liederbach and Arnsberg is broader or later, including 14th-century labels.
Their coverings are relevant without being a substitute for that missing evidence. Parchment sheets, thin parchment-like skin, and documented turnovers show that the wooden assembly was incorporated into a layered body. Where a facing spans several boards, it can mechanically bridge their seams; how much load it carried in each original shield remains an engineering question, not something quantified by the surviving descriptions.
Around 1300: Variety Within the Surviving German and Swiss Shields
The Marburg lion shield that Kohlmorgen identifies as Heinrich I of Hesse's, an identification I follow, is described as five or six linden boards around 15 mm thick. Its 1292–1308 bracket depends on that attribution, and a conflicting published identification as Heinrich "der Junker" remains unresolved. Parchment and modelled textile decoration provide evidence for a layered object, while plank-seam geometry and adhesive remain unknown.
The Nordeck zu Rabenau shield, conventionally late 13th century or around 1300, has a three-piece linden core described as glued. Its sources differ in their wording of board orientation, so a definitive plank diagram would exceed the evidence. Kohlmorgen also records a transverse strip partly let into the upper rear of the core, an important reminder that core reinforcement and edge-to-edge joinery are related but separate questions. It should neither disappear from the account nor be generalized into a universal transverse batten; its medieval originality and exact structural role require further examination.
The Welfenberg/Helfenberg shield has reported diagonal grain in a linden core around 9 mm thick. Its board count and seam map remain unknown; diagonal wood fibres do not, on their own, establish diagonal planks or cross-lamination. The Stromberg shield, conventionally around 1300, is described as five linden boards around 12 mm thick, thinning toward the edges. The Steinau/Steinrück shield, conventionally around 1300–1320, has a linden multi-board core of approximately the same reported thickness, but no secure board count. Their exact join profiles and adhesives remain unknown, and present curvature in both should not be read as a record of manufacture: deformation and warping can alter a shield after construction.
The eagle shield MV 172 at Sion, around 1300, long attributed to the lords of Raron and now thought more likely to belong to Antoine von Weingarten, was described by Laking as built of wood, leather and canvas. The museum notes that its reverse is lined with leather, so the leather may belong to the back rather than the face. No secure wood species, board count, seam profile or complete layer order has been published. It belongs in the comparison as evidence for composite shield construction; it is not evidence that all Sion shields shared the Bartolomei core discussed below.
Around 1320: Karl von Trier, Glued Boards and Wooden Tenons
The shield associated with Karl von Trier, Grand Master of the Teutonic Order from 1311 to 1324, is not one of the Marburg shields. It came from Burg Reifenstein in South Tyrol and is now in the Tiroler Landesmuseen in Innsbruck, and it is described in the heraldic literature as a processional or display shield. Its date of around 1320 rests on its painted heraldry; around 1900 Freiherr von Rahden argued that the board was an older shield painted later, and Bernhard Engel rejected that. Kohlmorgen gives four fir boards approximately 15 mm thick. Engel gives the same thickness but calls the wood Fichtenholz, the usual German word for spruce, not fir (Tanne). The two descriptions disagree on the species, neither rests on a published wood analysis, and I leave the question open.
An Einsteckzapfen is a separate wooden piece let into both boards across the seam. Kohlmorgen's word for the older Schenk shield, gedübelt, means dowelled. The two words may describe similar fittings or different ones; neither source gives a shape or size, so the two shields should not be treated as one method. What they share is that each is reported with wooden fittings in addition to glue.
The Mid-14th Century: Continuity and Cross-Lamination
The Muschenheim shield, conventionally around 1350, is described as three linden boards around 8 mm thick, with one parchment sheet on each face. Its unusual strap attachments, loops and toggles of thick hide, are relevant to carrying the shield, but do not identify the plank joints. The younger Schenk von Schweinsberg shield, also conventionally around 1350, has a reported linden core around 15 mm thick and parchment on both faces; its board arrangement and joinery remain unknown, and the older shield's dowels must not be transferred to this separate object.
Two further Marburg originals, the unidentified lion shield, Iv-Nr 16, and the shield traditionally labelled von Dernbach, Iv-Nr 9, have especially limited construction evidence. No published description I have found establishes their original core architecture or seams, and later copies and their conservation records cannot answer those questions. Including these objects is not a reason to invent technical detail; it makes clear why a collection of researched survivals does not equal a collection of fully exposed and analysed joint systems.
Bartolomei securely expands the range of medieval construction. Lenzen rules out treating it as the invention of that approach; neither object establishes a continuous regional tradition between the two.
The Later 14th and Early 15th Centuries: Layered Surfaces, Hidden Joints
The Canterbury shield associated with Edward of Woodstock belongs to his funerary achievements of 1376, an association that does not prove manufacture in that exact year. Laking describes it as made of light wood joined down the centre; later accounts call the wood poplar, but I have not found a published identification. Laking's front-layer sequence is unusually elaborate: white canvas, gesso, paper and leather over the wood. Modern scanning and conservation have taken place, but no complete seam analysis has been published. The central wooden join's detailed engineering and original adhesive remain unknown.
The large Sion pavois, MV 1, is stylistically assigned to the first half of the 15th century. Museum evidence records poplar and a Chapter-painted textile over an earlier textile layer; its precise board arrangement, seams and adhesive are not established. MV 1 must remain distinct from both the eagle shield MV 172 and cross-laminated Bartolomei MV 4: its layered coverings do not prove a layered wooden core. It shows a familiar boundary: a surviving composite object can preserve substantial surface and carrying evidence while still concealing how its wood was joined.
Late Medieval: The Oña Shields D 59 and D 60
Two shields from the monastery of San Salvador de Oña, now in the Real Armería in Madrid as D 59 and D 60, have early shapes and were long dated to around 1200. Álvaro Soler del Campo's 1996 technical study, made while both were under restoration, describes their construction and dates their surviving surfaces much later. They close this comparison because their date is uncertain, not because they are the latest securely dated shields.
The earlier date of around 1190–1200 for D 59 belongs to its shape, and the "cedar-like" wood comes from older catalogue descriptions, not from analysis. The unequal boards are real construction evidence whichever date is right, but they cannot stand for a shield made around 1200.
Chronological Comparison of the Surviving Shields
Dates below keep the qualifications given in the text. "Reported" identifies published descriptive evidence, not new laboratory verification. Thicknesses are approximate values from the sources, not standardized measurements. "Unknown" means not established in the published evidence, not necessarily absent from the object.
| Object and working date | Core evidence | Joining evidence and important limit |
|---|---|---|
| Lenzen, 2nd half 11th c., context-dated | Alder; two layers reported; ~7 mm total surviving wood | Glued layers recorded by the museum; cross-grain arrangement reported. Glue chemistry unknown. |
| Painted Szczecin, 1176–1200 | One alder layer; six vs. seven boards unresolved; ~4–7/8 mm | Square mating edges; no observed dowels, laps or dovetails. Adhesive inferred, not chemically identified. |
| Unpainted Szczecin, late 12th c. | Two surviving alder planks; 7.5–9 mm; ~five boards only an estimate | Right-angled edges; original joining compound unknown. |
| Seedorf, c.1200–1220 | Four longitudinal alder boards | Glued; mating surfaces deliberately prepared to enlarge bonding area. No measured angle or identified adhesive. |
| Konrad von Thüringen, c.1230–1240 | Linden; seven–eight boards estimated; ~10 mm (10–12 mm in older source) | Exact seams and adhesive unknown; counts and thicknesses source-qualified. |
| Vögte von Keseberg, c.1250 | Six linden boards, ~12 mm, reported | Board assembly documented descriptively; seam engineering and glue unknown. |
| W. von Liederbach, 1250–1300; 14th-c. label also exists | Six visible linden boards, ~8 mm | Seams unknown; probable later repair strips are not original joint evidence. |
| Counts of Arnsberg, 1250–1300; 14th-c. label also exists | Five visible linden boards, ~10 mm | Seams unknown; present warp does not establish original construction curvature. |
| Nordeck zu Rabenau, late 13th c./c.1300 | Three-piece linden core; orientation wording disputed | Gluing and an inset upper transverse strip reported; strip originality and seam chemistry unresolved. |
| Heinrich lion shield, c.1292–1308 (attribution-dependent) | Five–six linden boards, ~15 mm, reported | Join geometry and adhesive unknown; conflicting owner identification retained. |
| Eagle shield MV 172, Sion, c.1300 | Wood with leather and canvas (Laking); leather-lined reverse (museum) | Species, plank layout, seam and glue unknown; not interchangeable with other Sion shields. |
| Stromberg, late 13th c./c.1300 | Five linden boards, ~12 mm, thinning at edges | Seam technology and chemistry unknown. |
| Welfenberg/Helfenberg, c.1300 | Linden, ~9 mm; diagonal grain reported | Board count and seam map unknown; diagonal grain does not prove lamination. |
| Steinau/Steinrück, c.1300–1320 | Linden multi-board core, ~12 mm | Reliable count, joint profile and adhesive unknown. |
| Older Schenk von Schweinsberg, c.1300–1320 | Two linden boards, ~7 mm | Dowelled glue edges explicitly reported (Kohlmorgen); observation method, dowel details and chemistry unresolved. |
| Karl von Trier, Innsbruck, c.1320 (date rests on the painting) | Four boards, ~15 mm; fir (Kohlmorgen) or spruce, Fichtenholz (Engel): unresolved | Glued and joined by crosswise wooden tenons (Engel, c.1900); tenon details and glue unknown; seam now open. |
| Muschenheim, c.1350 | Three linden boards, ~8 mm | Plank joints unknown; hide strap loops and toggles are a different attachment system. |
| Younger Schenk von Schweinsberg, c.1350 | Linden, ~15 mm; architecture unknown | No established seam details; older Schenk's dowels cannot be transferred. |
| Bartolomei, MV 4, mid-14th c.; later-15th-c. reuse | Two perpendicular willow layers | Crosswise gluing reported by the museum from Schneider's examination; layer thicknesses and chemistry unknown. |
| Unidentified Marburg lion, Iv-Nr 16, 14th c. | Original-specific technical data unresolved | Joining unknown; later copies excluded. |
| Traditionally von Dernbach, Iv-Nr 9, 14th c. (14th–15th c. considered) | Original-specific technical data unresolved | Joining unknown; attribution uncertain; later copies excluded. |
| Black Prince, Canterbury, associated with 1376 | Light wood joined down the centre (Laking); "poplar" in later accounts | Exact seam and adhesive unknown despite substantial covering evidence. |
| Sion Chapter pavois, MV 1, first half 15th c. | Poplar; architecture unresolved | Seams and glue unknown; two textile phases do not establish wooden cross-lamination. |
| Oña D 59, early shape; object late medieval (1503–1508 proposed) | Six vertical boards of unequal width; side boards 1.5 cm | Seams and wood-joining adhesive not described; probably votive (Soler). |
| Oña D 60, early shape; object late medieval (1503–1508 proposed) | Three boards of strongly unequal width | Wood-joining adhesive unknown; animal glue in the preparatory layers is not seam evidence. |
Dura-Europos, an ancient comparison from many centuries earlier, is left out of the table.
What the Glue Evidence Actually Establishes
Collagen-derived glues, often discussed under hide glue, bone glue or glutin, also belong in the reconstruction comparison and cannot simply be dismissed because casein offers an appealing explanation. A set-shield from Kaufbeuren, probably of the mid-15th century and now in the Bavarian National Museum, is especially instructive. Two glue flakes sampled from its skin layers were proteinaceous and matched glutin reference spectra better than casein, although Martin Siennicki cautions that FTIR can scarcely tell the two apart. The study could not determine the original glue of the shield body, and choosing casein for the replica, which had to be bent with heat and moisture, remained a reconstruction decision. The distinction between sampled facing glue and unknown structural seam glue is exactly the distinction needed for the earlier shields.
The Facing Belongs to the Structure
The chronological record repeatedly returns to parchment, leather and textile. These materials were more than convenient surfaces for heraldry: when bonded over an assembled core, they could connect areas of wood on opposite sides of a seam and contribute to the behaviour of the whole shield. That is a mechanical interpretation supported by the layered construction, and by medieval testimony connecting hide covering with strength. It does not reveal the exact load carried by a particular facing, prove that a facing compensated for an unglued seam, or establish identical coverings on every shield.
The differences matter. Seedorf and many Marburg descriptions support parchment systems. The eagle shield MV 172 has a less precisely mapped leather-and-canvas description and a leather-lined reverse. Bartolomei preserves separate textile campaigns. The Black Prince's shield has an unusually elaborate historical layer sequence. On the painted Szczecin shield, the paint samples lie directly on the wood, and the evidence does not authorize a universal full-face skin reconstruction. Material words also require care: parchment, rawhide, white-tanned leather and leather are not technically interchangeable simply because older catalogues sometimes use them loosely.
A shield should be understood as an interacting wooden and organic assembly. Its facing can be structurally important while the adhesive at its plank edges remains unknown.
Conclusion: Several Documented Solutions, No Universal Medieval Joint
The surviving shields support a more varied answer than "the planks were simply glued together." Square-edged plank assemblies are documented at Szczecin, where the original joining medium remains unresolved. Seedorf directly supports glued boards and deliberately enlarged bonding surfaces, without yielding a measured joint angle or glue chemistry. Two 14th-century shields are described with wooden fittings as well as glue: dowelled glue edges on the older Schenk shield, in Kohlmorgen's summary, and crosswise wooden tenons in the Karl von Trier shield, in Engel's description of around 1900. Both are older or secondary descriptions rather than modern examinations, and the two fittings need not be the same. Lenzen and Bartolomei demonstrate laminated wooden construction at widely separated points in the medieval record.
Many other shields preserve board counts, timber descriptions and substantial coverings while withholding the seam itself. That is not a reason to disregard them; it shows both the breadth of surviving construction and the limits of generalization.
Medieval shield makers joined wood in more than one way and incorporated it into composite bodies. The most authoritative account is the one that explains those differences while leaving the missing evidence visible.
Bibliography / Source Base
- Senn and Moser. Matthias Senn and Franz Moser, Der Reiterschild von Seedorf UR: ein Untersuchungs- und Restaurierungsbericht, Jahresbericht Schweizerisches Landesmuseum Zürich 100 (1991, published 1992), 80–85, for the radiographic examination of the Seedorf core: four alder boards glued together, their long sides abgeschrägt to enlarge the gluing surfaces. DOI: 10.5169/seals-395364. Source link.
- Dowen et al. 2019. Keith Dowen, Lech Marek, Sławomir Słowiński, Anna Uciechowska-Gawron and Elżbieta Myśkow, Two Twelfth-Century Kite Shields from Szczecin, Poland, Arms & Armour 16, no. 2 (2019), 121–148, for both Szczecin shields: plank counts, widths and thicknesses, right-angled mating edges, the absence of dowels, laps and dovetails, and the open question of how the planks were held together. DOI: 10.1080/17416124.2019.1667049. Source link.
- Głosek and Uciechowska-Gawron. Marian Głosek and Anna Uciechowska-Gawron, Wczesnośredniowieczna tarcza z podgrodzia w Szczecinie, Materiały Zachodniopomorskie, new series VI/VII (2009/2010), 269–283, for the painted Szczecin shield's six planks and their dimensions (p. 270).
- Jagielska. Irena Jagielska, Badania i konserwacja drewnianej tarczy ze szczecińskiego Podzamcza, Materiały Zachodniopomorskie, new series VI/VII (2009/2010), 285–298, for the paint samples from the painted Szczecin shield, whose layers lie directly on the wood in the sampled areas (pp. 287–288).
- Muzeum Narodowe w Szczecinie. National Museum in Szczecin, catalogue record for the painted wooden shield MNS/A/22250/1, dated 1176–1200, for its six planks, its date and the gluing recorded among its techniques. Source link.
- Kennecke. Heike Kennecke, Burg Lenzen: Eine frühgeschichtliche Befestigung am westlichen Rand der slawischen Welt, Materialien zur Archäologie in Brandenburg 9 (2015), 91–92, fig. 63, the excavation publication of the Lenzen shield, here as summarised by Tomáš Vlasatý for its date and the crosswise grain of its two layers.
- Vlasatý. Tomáš Vlasatý, "Slavic shield from the Lenzen hillfort" and "Defining Slavic shields of 9th–11th century", online syntheses, for his summary of Kennecke on the Lenzen shield.
- Warzecha. Roland Warzecha (Dimicator), "Examination of the Lenzen Shield" (2018), for his examination of the Lenzen shield in the museum: two wood layers about 7 mm thick in total and no surviving facing.
- Soler del Campo. Álvaro Soler del Campo, "Dos escudos procedentes del Monasterio de San Salvador de Oña en la Real Armería", Reales Sitios 127 (1996), 18–25, for the boards, parchment and preparatory layers of the Oña shields D 59 and D 60, and for his late-medieval dating, votive reading and 1503–1508 hypothesis. Source link.
- Bildindex / Bildarchiv Foto Marburg. Institutional records for the Marburg shield group, including Schild des Landgrafen Konrad von Thüringen, Museum für Kunst und Kulturgeschichte der Philipps-Universität Marburg, inventory 3177, object record 0001336328, and related shields (Vögte von Keseberg, W. von Liederbach, Counts of Arnsberg, Nordeck zu Rabenau, Welfenberg/Helfenberg, Stromberg, Steinau/Steinrück, the Schenk von Schweinsberg shields, Muschenheim, the unidentified lion shield and the von Dernbach shield), for their identities, dates and materials. Source link.
- Kohlmorgen. Jan Kohlmorgen, Der mittelalterliche Reiterschild: Historische Entwicklung von 975 bis 1350 und Anleitung zum Bau eines kampftauglichen Schildes (2002), for the board counts and thicknesses of the Marburg shields, the Nordeck transverse strip, the older Schenk shield's dowelled glue edges, the Heinrich I attribution and the Karl von Trier shield's fir boards. These are his descriptions, not modern conservation reports.
- Warnecke. Friedrich Warnecke, Die mittelalterlichen heraldischen Kampfschilde in der St. Elisabeth-Kirche zu Marburg (Berlin, 1884), whose 10–12 mm thickness for the Konrad shield is known here through later literature.
- Tiroler Landesmuseen. Tiroler Landesmuseum Ferdinandeum, Claudia Sporer-Heis, "Deutschordens-Hochmeisterschild, um 1320", Sammellust object 1862b, for the Karl von Trier shield's identity, dating and acquisition from Burg Reifenstein. Source link.
- Engel. Bernhard Engel, "Waffengeschichtliche Studien aus dem Deutschordens-Gebiet. I. Ein Original-Deutschordens-Hochmeisterschild", Zeitschrift für historische Waffenkunde 2 (1900–1902), pp. 94–102, for the Innsbruck shield associated with Karl von Trier: its four glued boards of Fichtenholz joined by crosswise wooden tenons, chamfered at the upper edge, its thickness and its flat profile with deliberately bent-back edges (p. 95); and "Nochmals der Deutschordens-Hochmeisterschild", ibid., pp. 214–217, for the dispute over its date. Source link.
- Musées cantonaux du Valais. History Museum of Valais records and catalogue research (Elsig and Morand, eds., Le Musée d'histoire du Valais, 2013) for the eagle shield MV 172, its Raron and Weingarten attributions and its leather-lined reverse; the Bartolomei shield MV 4, including Hugo Schneider's 1981 examination of its cross-laminated willow core as reported by the museum; and the Sion Cathedral Chapter pavois MV 1, including the earlier canvas layer seen at the rear marouflage join.
- Laking. Guy Francis Laking, A Record of European Armour and Arms Through Seven Centuries, vol. I (1920), for the wood, leather and canvas of the eagle shield at Sion, and for the Black Prince's shield: light wood joined down the centre, under white canvas, gesso, paper and leather.
- Canterbury Cathedral. Canterbury Cathedral and Canterbury historical and archaeological material on the Black Prince's funerary achievements, including the shield's later scanning and conservation.
- Theophilus. Theophilus Presbyter, De diversis artibus / On Divers Arts, Book I, chapters 17–18; trans. John G. Hawthorne and Cyril Stanley Smith (1979), 26–27, for cheese and quicklime glue in joining altar and door panels, and shields worked with the same tool.
- Alfonso X. Libros del saber de astronomía, ed. Manuel Rico y Sinobas, vol. IV (Madrid, 1863), 69, for the 13th-century passage on covering with horse or donkey hide using engrud de queso, "as shields are covered, so that they are stronger". Source link.
- Gunnison et al. 2020. Anne Gunnison, Irma Passeri, Erin Mysak and Lisa R. Brody, "Painted Roman Wood Shields from Dura-Europos," in Mummy Portraits of Roman Egypt: Emerging Research from the APPEAR Project (Getty Publications, 2020), 139–141, for the FTIR and proteomic analysis of glue from a wooden slat edge. DOI: 10.2307/jj.6142266.21. Source link.
- Siennicki. Martin Siennicki, "Ein Kaufbeurer Setzschild aus dem späten Mittelalter", in the Kaufbeuren historical series, vol. 21, and his Vienna Academy diploma thesis on the same shield (2016), for the FTIR comparison of the glue between its skin layers with casein and glutin, its caution on that comparison, and the undetermined original glue of the shield body; see also his chapter "Der Kaufbeurer Setzschild im Bayerischen Nationalmuseum. Materialtechnologische Untersuchung und Replik", in Schilde des Spätmittelalters und der Frühen Neuzeit (2019).





