
Hand-crafted original

A modern artistic shield inspired by northern Italian city-state aesthetics of roughly 1300, featuring the Piercing Flower motif in a contemporary interpretation of period design.
Each board is individually selected for clean grain, resilient flex, and reliable durability under impact. Built from two plywood boards, oiled for water resistance, and pressed to shape over 72 hours, the shield face is covered in multiple layers of linen, coated in gesso, and finished with a hand-painted Piercing Flower design. A guige strap allows comfortable shoulder carry.
The inside of the shield bears the Latin inscription: HABITUS, CONSCIENTIA, CONTINERE CENTRUM. More than a decorative motto, the phrase gives the shield its inward dimension, joining the physical object to the moral and spiritual ideals it evokes.
On the martial level, HABITUS, CONSCIENTIA, CONTINERE CENTRUM suggests the character of the ideal knight or soldier: habitus as disciplined bearing and trained character, conscientia as alertness, awareness, and judgment, and continere centrum as the duty to hold the center — to keep formation, hold the line, and remain steady when battle turns chaotic. In an early 14th-century military context, "the center" could mean both the literal center of a formation and the inner steadiness required not to break under pressure.
On the spiritual level, the phrase becomes a call to inward order. Here, habitus points toward moral formation, conscientia toward conscience before God, and continere centrum toward the need to keep one's soul centered — preserving faith, balance, and self-command amid fear, violence, and death. In this sense, the shield protects the body, while its inscription reminds the bearer that true defense also comes from a rightly ordered heart.
That union of outer and inner struggle is what gives the piece its force. The shield is not only an artistic representation of a historical form, but also a meditation on the virtues that form the man behind it. To stand firm against an enemy was one test; to master oneself, obey conscience, and hold one's center intact was another.
| Material | Plywood - 2 layers | Width | 60 cm |
| Period | c. 1300 AD | Height | 84 cm |
| Rim | Leather-bound | Origin | Northern Italy |
| Face | Linen, gesso, painted | ||